Forging the Reader-Character Bond: In our own work

Forging the Reader-Character Bond.  It's easier than you might think, and the results are well worth the effort.  Especially if you can dig deep and come up with ways to demonstrate sympathy, jeopardy, etc. that are tailor-made for your specific character, in his specific story world. That extra specificity might be a little harder and take … Continue reading Forging the Reader-Character Bond: In our own work

The Reader-Character Bond: How the masters do it

This week, we're learning how to forge the reader-character bond.  Here's how the masters do it: For these examples, I'm rereading only the opening scenes and otherwise drawing from memory.  Let's Get the classic example out of the way first: Harry Potter and the Philosopher's Stone, J. K. Rowling (MG)Main Character: Harry PotterFirst two chapters, … Continue reading The Reader-Character Bond: How the masters do it

Creating Three-Dimensional Characters: In Our Own Work

It's Three-Dimensional Characters week.  Let's see if we can flesh out our characters with backstory and description, internal depth, defining choices and actions, and a future to anticipate or dread. When we last left off, we were working on a human rights attorney story and a diamond bullets story. Many of the past Friday posts have … Continue reading Creating Three-Dimensional Characters: In Our Own Work

Three-Dimensional Characters: How Stephen King Does It

Stephen King.  All I can say is, no matter which of the three methods for creating three-dimensional characters you prefer, Stephen King is ALL ABOUT the three dimensions of character. Especially in The Shining. To make this exercise more manageable, I've merged Frey/Egri's dimensions (physiological, sociological, psychological) and Brooks's dimensions (Surface Appearance, Backstory, and Meaningful Choices) … Continue reading Three-Dimensional Characters: How Stephen King Does It

Three-Dimensional Characters: 3 Ways to Create One

We know them when we see them.  We all want to create them.  But what exactly distinguishes a three-dimensional character from that other kind?  What exactly does "three-dimensional" mean and how do we render it on a two-dimensional page?   Three-Dimensional Characters: What are they? Honestly, I had a hard time finding (as in, "I didn't … Continue reading Three-Dimensional Characters: 3 Ways to Create One

Structure of Plot: How Lisa Unger does it

We’re doing the Outer Journey this week, and today we’re looking at the Outer Journey of Ian Paine, the main character in Lisa Unger’s Crazy Love You.  (We did Ian’s inner journey last week.) Spoiler Alert And a note:  Half the story is told in flashbacks.  While flashbacks support the front story and inform the journey, … Continue reading Structure of Plot: How Lisa Unger does it