Perfect Rhythm: How Dan Brown did it in The Da Vinci Code

Last updated 4.27.21 Several posts ago, we looked at how to create a regular, rhythmic beat, as discussed in The Bestseller Code* (which lists Fifty Shades of Gray* and The Da Vinci Code* as the only two (adult) books with perfect curves). I proposed sequences as a good way to plot for rhythm, and in this … Continue reading Perfect Rhythm: How Dan Brown did it in The Da Vinci Code

Rhythm and Sequences: How Graeme Simsion does it

We've been looking at the rolling, mid-level rhythm of story, and how sequences might be the way to achieve that.  The Bestseller Code gave us a list of the top ten books with good rhythms (none of which were as good/steady as TDC and FSoG). The book I picked from the list to test the … Continue reading Rhythm and Sequences: How Graeme Simsion does it

Rhythm in Plotting: The Bestseller’s best-kept secret – Part 2

We're looking at how to create the regular, rhythmic beat that The Bestseller Code says exists in the top two bestselling adult books of all time, Fifty Shades of Gray and The Da Vinci Code. When we left off last week, we were wondering how, specifically, to create this rhythm. The goal is to alternate negative … Continue reading Rhythm in Plotting: The Bestseller’s best-kept secret – Part 2

Rhythm in Plotting: The bestseller’s best-kept secret – Part 1

Have you read The Bestseller Code*? The authors, Jodie Archer & Matthew L. Jockers, say that the two bestselling adult books of all time--Fifty Shades of Gray* and The Da Vinci Code*--share a "regular rhythmic beat" that no other books share, at least not as closely. Whether coincidence or not, don't you kind of want … Continue reading Rhythm in Plotting: The bestseller’s best-kept secret – Part 1