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Several posts ago, we looked at how to create a regular, rhythmic beat, as discussed in The Bestseller Code* (which lists Fifty Shades of Gray* and The Da Vinci Code* as the only two (adult) books with perfect curves). I proposed sequences as a good way to plot for rhythm, and in this post we’re going to see if that holds true for The Da Vinci Code.
We’ve been looking at the rolling, mid-level rhythm of story, and how sequences might be the way to achieve that. The Bestseller Code* gave us a list of the top ten books with good rhythms (none of which were as good/steady as TDC* and FSoG*).
The book I picked from the list to test the sequences=rhythm theory–the theory that sequences are the path to purposely developing this rhythm–was Graeme Simsion’s The Rosie Project,* and I think it was a good choice for several reasons.
Last updated 2.18.20
Last post, I said I’d do a master storyteller post, or three, on Rhythm. Well, I found that I needed more guidance. Continue reading
We’re looking at how to create the regular, rhythmic beat that The Bestseller Code* says exists in the top two bestselling adult books of all time, Fifty Shades of Gray* and The Da Vinci Code*.
When we left off last week, we were wondering how, specifically, to create this rhythm.
Have you read The Bestseller Code*?
The authors, Jodie Archer & Matthew L. Jockers, say that the two bestselling adult books of all time–Fifty Shades of Gray* and The Da Vinci Code*–share a “regular rhythmic beat” that no other books share, at least not as closely.
Whether coincidence or not, don’t you kind of want to know how to create that regular rhythmic beat in your WIP? Continue reading
It’s Outer Journey week. Today we’re going to see if we can flesh out the major plot points in the one-liner‘s we’re working on.
We’re doing the Outer Journey this week, and today we’re looking at the Outer Journey of Ian Paine, the main character in Lisa Unger’s Crazy Love You. (We did Ian’s inner journey last week.)
Spoiler Alert Continue reading
Last updated 2.5.20
The outer journey is also known as plot, structure, narrative structure, and ‘what happens.’
PLOT: WHAT IS IT? Continue reading
So, we’re looking at the inner journey this week. Let’s see what kind of an inner journey we can create for the one-liners we’re working on. Here we go… Continue reading
We’re looking at the Inner Journey this week. Here’s the inner journey (to my eyes and ears anyway) of the main character, Ian Paine, in Lisa Unger’s Crazy Love You (336 pages).
Spoiler Alert. And Long Post Alert. Continue reading