We’ve been looking at the rolling, mid-level rhythm of story, and how sequences might be the way to achieve that. The Bestseller Code* gave us a list of the top ten books with good rhythms (none of which were as good/steady as TDC* and FSoG*).
The book I picked from the list to test the sequences=rhythm theory–the theory that sequences are the path to purposely developing this rhythm–was Graeme Simsion’s The Rosie Project,* and I think it was a good choice for several reasons.
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